Archive | July 2018

A Four-Term Logic: Holling Adaptive Cycle, Cross of Reality, and Sacred Hoop

Since there seems to be some great confusion and misunderstanding of the purposes and meanings of The Chrysalis, which is primarily about the ongoing and rather turbulent shift from the cosmic number 3 to the cosmic number 4 — or from a reality construed in three dimensions to a reality construed in four dimensions along with the corresponding restructuration of consciousness that is implied in this  — I’m going to reach back into The Chrysalis archives and raise once again the key issues in the transition or metamorphosis — the emergence of the quadrilateral or fourfold as it is represented in the Holling Adaptive Cycle, Rosenstock-Huessy’s “cross of reality”, the native North American “Sacred Hoop”, and on to what William Blake also means by his “four Zoas” and “fourfold vision”.

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The Zeitgeist and the Shadow

Zeitgeist is a German term that translates as “spirit of the times” or the common mood or mental attitude, corresponding to what distinguishes historical epochs and eras from one another. The Zeitgeist is the milieu in which we live, move, and have our being, and which conditions our mental environment, outlook, and attitudes. Some define Zeitgeist as a civilisation’s or era’s “ruling idea” or ruling mood, or perhaps its ruling archetype.

For example, William Blake’s mad god or Zoa named “Urizen” is the Zeitgeist of the Newtonian-Cartesian worldview, or what we altogether call “modern mind” or “mental-rational consciousness” or “perspectival consciousness”. “Urizenic Man” is that mode of consciousness aligned or in communion with Urizen as Zeitgeist. But Urizen has a double aspect, too — a lucid aspect, but also a dark and deranged aspect– corresponding to what Carl Jung calls “the Shadow” — just as the Greek goddess Athena has her lucid aspect, and her deranged and shadow aspect, the Gorgon. These correspond to the life-pole and death-pole of psychic energy (or what Freud referred to as “eros” and “thanatos” instincts).

So, today I’m going to try to walk you through the present Zeitgeist, which some identify as “post-modern”, but which for others of a Jungian bent is now “the Shadow” (eg, Carolyn Baker’s Dark Gold: The Human Shadow and the Global Crisis, among others).

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The Dark Arts

Power remains strong when it remains in the dark; exposed to the sunlight it begins to evaporate.Samuel Huntington.

Yesterday, I concluded my reading of Gary Lachman’s Dark Star Rising: Magick and Power in the Age of Trump, which I highly recommend. Lachman explores the “hidden dimension”, as it were — the occult or dark side — in current events, events which on the surface appear “surreal”, “bizarre”, “absurd” and so on (because they are).

Lachman’s thesis about the implicit “chaos magick” in the practice of power relations today is very revealing of the undercurrents that bring together concerns like Adam Curtis’s “Hypernormalisation” BBC documentary with Neal Gabler’s Life The Movie: How Entertainment Conquered Reality, Kurt Anderson’s recently published Fantasyland: How America Went Haywire, and to the more aberrant expressions of “magick” I explored in earlier posts in The Chrysalis, such as Rolf Jensen’s The Dream Society: How the Coming Shift From Information to Imagination Will Transform Your Business, or “marketing 3.0″ (or “spiritual branding”), or the exploitation of Carl Jung’s archetypal psychology for marketing and propaganda. What we often call “perception management” (or what Algis Mikunas calls “technocratic shamanism”) has this same root in Lachman’s “chaos magick” or what we shall call “the dark arts” altogether.

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