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The Meek Shall Inherit The Earth?

Not a great deal of attention has been paid to how this New Testament promise and prophecy — “the meek shall inherit the Earth” — has underwritten much of modern history, and continues to do so in the various flavours of populism, ie, the idea that the “meek” are entitled to the Earth as against the “elites”. That the meek shall inherit the Earth has even come to be seen as an entitlement or as an historical inevitability, both of left-wing and right-wing populisms, as God’s promise to those who labour and suffer under tyrannies.

Nietzsche mocked the whole idea that “the meek shall inherit the Earth”. He dismissed it as being vile herd sentiment or “slave mentality”, rooted in the psychology of resentment. He is somewhat right about that. But Nietzsche was also a philologist, and must surely have known that the meaning of “meek” had (like the words “value” and “virtue”) had undergone an inversion from the original meanings. Words have biographies as people have biographies, and also undergo “mutations”. “Meek” doesn’t mean what most people merely think it means. But a lot of people still invest almost all their hopes for the future in it.

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A Gorgon Age

“Hades and Dionysus are one and the same….” – Heraclitus

The mythical imagination (or Gebser’s mythical structure of consciousness) still abides within us and has its way with us. In a vague sort of way we even acknowledge its meaningfulness in naming powerful technologies after the gods of antiquity. And the same may be said for the magical structure of consciousness, which occasionally irrupts in what we call mass “magical thinking” or what Algis Mikunas describes as “technocratic shamanism”.

Heraclitus has pointed out that Dionysus (god of life) and Hades (god of death) are conjoined. Understanding why Hades and Dionysus are “one and the same” is pretty much the key to understanding Heraclitus and his paradoxes more generally, and to understanding Nietzsche and Dionysus too. It may also be the key to understanding our present “chaotic transition”.

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Ascent and Descent and Gebser’s “Double-Movement”

The road up and the road down are the same — Heraclitus

A lot of people have puzzled over this particular paradox of Heraclitus. While it might be obvious that a road going up a mountain is also, at the same time, a road going down a mountain, I can assure you that Heraclitus had nothing so banal in mind as to point out the obvious. It was a metaphor for something else — life and death — just as his remark about not being able to put the same foot in the same river twice was a metaphor for what Buddhists describe as “impermanence”, which is Heraclitus’s “panta rei” — “everything flows”.

Panta rei is what informs Zigmunt Bauman’s thesis of “Liquid Modernity”, revealing Bauman as being a Heraclitean at heart, (and perhaps even a Buddhist in principle). For, indeed, Heraclitus has been described as “the Greek Buddha” (as well as “Heraclitus the Obscure” or “Heraclitus the Dark”).

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Identity Politics and The Soul

As Mark Lilla frames things, the Pilgrims “did not speak in terms of personal identities; they had souls back then” — (from a review in The Guardian)

Yes, indeed. The identity crisis and identity politics is about the eclipse of the soul, which is the meaning of the symbolism of the Sol Niger or Black Sun. It’s for that reason, too, that restoring the meaning and integrity of the soul — reviving the soul as Jean Gebser’s “diaphainon” — is one of the main objectives of the writings of Jean Gebser and Rosenstock-Huessy, among others. It is correct to say that “identity” is only the soul which has shriveled up and has shrunk into a mere “point” — the “point of view”. The zombie image — the living dead — is really identity minus soul.

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Giotto, Picasso, and Gebser’s Aperspectival Consciousness II

In yesterday’s posting on Giotto, Picasso and Aperspectival Consciousness, we briefly (perhaps all-too briefly) traced the turbulent unfolding — in “agony and ecstasy”, as it were — of the third dimension of space (or, rather, the tripartition of space into spaces) to consciousness and perception that was prefigured in the Early Renaissance/Late Middle Ages and represented in the works of Giotto and Petrarch; proof that very big things often arrive in very small packages — or on little dove’s feet.

The unfolding (or “evolution”) of a new “dimension”, as I mentioned, also involves a corresponding “in-volution” befitting the law of dynamics that states: every action has an equal and opposite reaction — that is to say, a coincidentia oppositorum. Standard histories of the Renaissance and Late Middle Ages very seldom pay attention to the “in-volution” aspect of the transition — the restructuration of consciousness, perception, and cognition —  although this is now what is usually intended to be understood by the term “co-evolutionary” — the co-evolution of cosmos and consciousness.  Or, as the great Sufi mystic and poet Rumi once put it, “the whole universe is a form of truth”.

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Renaissances Old and New

To continue from the previous post on Renaissances, old and new….

One of the key figures of the Old Renaissance, the Dominican friar Giordano Bruno (1548-1600), is not even mentioned in Ian Goldlin’s and Chris Kutarna’s The Age of Discovery. Yet, Bruno was one of the most interesting and intriguing characters of the European Renaissance, along with cardinal Nicholas of Cusa (Cusanus 1401 – 1464) who was one of the chief figures of Renaissance humanism. Cusanus is also not mentioned in The Age of Discovery. And yet, Bruno and Cusanus both had a more accurate understanding of the cosmos than Copernicus, as it turns out.

In fact, no Hermeticists come in for a mention in The Age of Discovery, which is a serious defect of the book it seems to me.

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Genius and Risk in The Age of Discovery

I have been reading the newly published The Age of Discovery: Navigating the Risks and Rewards of Our New Renaissance by Oxford scholars Ian Goldin and Chris Kutarna in preparation for a meeting I will be having with one of the authors in a few weeks time, during which we will be hashing out some of the issues pertaining to chaotic transition. I took an interest in their book and in their work because Age of Discovery attempts to interpret our time also as a chaotic transition — as implied by the reference to “New Renaissance” in the subtitle — which they interpret as representing a convergence, or coincidence, of “genius” and “risk”.

I found the book a little uneven, as one might expect from a book written by two authors who might themselves be code-named “Risk” and “Genius”, or who may have specialised in one or the other aspect of that polarity. And I don’t think it probes those issues of risk and genius, and what this means in the context of chaotic transition, deeply enough. Here at The Chrysalis, what they call “risk” we call “disintegration” or “havoc”, and what they call “genius” we call “re-integration” or “consciousness mutation” or restructuration. So I want to comment on the strengths and weaknesses of the book in its approach to the meaning, and full depth, of “choatic transition”.

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